Fists in the pockets movie

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The film, whose Ennio Morricone score suggests a hushed lullaby, is soaked in the iconography of a world in transition. Through a haze of simmering sexual tensions, suicide threats, seizure attacks, and slaps across the face emerges Alesandro Lou Castela young man with the face of Doogie Howser and the personality of Stanley Kowalski. The film comes on strong—no Linda Blair-style pisser in the living room to foreshow its fireworks—and, perhaps appropriately, ends with something close to an exorcism.

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Ale, a deeply disturbed young man subject to seizures, benignly decides to murder members of his dysfunctional family for altruistic reasons. Silvano Agosti Anita Cacciolati. Maybe a precursor to such deranged familial films like Dogtooth.

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Lou Castel shoulders the heavy acting as the youthful Alessandro. The movie becomes both a funny play on the ignorance of youth and a cautionary tale of the banality of evil. Bourgeois values play a starring role.

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Sign in. Cut to Sam Neill, who offers nothing. Watch now.

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In a decadent villa setting in the mountain area of Piacenza lives a bourgeois family whose direction is entrusted, rather than to the blind mother, to the eldest of four children, the lawyer Augustus, who, engaged for quite some time to a city girl, looks forward to leaving the house in order to create his own family in the capital. In the house are living: Leone, the youngest of the brothers, who suffers from epilepsy and is incapable of reasoning; Giulia, who, though apparently normal, is in her turn ill and still psychologically lives in a pre-adolescence phase which morbidly links her to Sandro. The latter, in his turn insane and epileptic, has got a reactive mind in devising evil plans aiming at eliminating the family….

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Post a Comment. Subscribe in a reader. And you think your family is weird?

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As a gesture, a fist in a pocket speaks of unsuccessful repression. If a fist almost always signifies impending violence, then a pocketed one flaunts this ferment and, at the same time, signals its own awkward confinement: the tense spasming grasp may be covered, but its intent is hardly concealed. Clenched inside a pocket, a hand outgrows the space designed to contain it. Once filled with rage, however, the hand — the fist — is much harder to put away.

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It was Bellocchio's debut film. Four siblings, a sister and three brothers, live with their blind mother in an Italian villa. Three of the siblings suffer from epilepsy; the eldest son, Augusto Marino Mase does not.

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A new one every day. Charged by a coolly assured style, shocking perversity, and savage gallows humor, Fists in the Pocket tells the story of a twisted young man who takes drastic measures to rid his grotesquely dysfunctional family of its various afflictions in this astonishing debut from Marco Bellocchio. Beautiful restauration, and seemed to be a good Antonioni-like 60s italian social movie, but not enough clear for me I think the first problem is that the character tells everyone what he's going to do.

Comments

  • Uriel 28 days ago

    yes, and you can even hear the brass drop.

  • Kohen 3 days ago

    like oso so soso so soso sos much better sea salt facial masks

  • Kamron 4 days ago

    yo no quiero criticar, pero se ve claramente que la tele esta apagada, y eso es un error de continuidad :v